Saturday, March 7, 2009

Jimi Tenor

Best described as techno's first cabaret star, Finland native Jimi Tenor is what you might imagine Detroit's answer to a cheesy lounge artist to be. Coming off as a kind of lo-fi Prince cross-bred with Maurizio, Atom Heart, and perhaps Jean-Jacques Perrey, Tenor's recordings are released through Sahko/Puu (home to most of the scant Finnish techno scene); despite the fact that they stick out of the label roster like a sore thumb, they have attracted something of a devoted cult following, mainly among the IDM/electronica crowds. Unlike most electronica artists, however, who routinely name-check Kraftwerk, Juan Atkins, and Carl Craig as influences, Tenor leans more toward names like Barry White, Isaac Hayes, and '70s B-movie and blaxploitation soundtracks. Classically trained, Tenor gained the attention of influential Sheffield label Warp after releasing the full-length Europa in 1996, leading to a recording deal and reissue plans for some of Tenor's Sakho releases. Warp featured the previously unavailable Tenor cut "Downtown" on their Blechsdottir label comp and released the 7"/CD single "Can't Stay with You Baby" a few months later, with two additional singles appearing in early 1997.Prior to his solo work, Tenor fronted Jimi Tenor and His Shamans, who starting in 1988 released several albums on the Poko, Euros, and Bad Vugum labels (including Total Capacity of 216, 5 Litres, Diktafon, and Fear of a Black Jesus, which included 3-D sleeve and glasses). Despite the studied imperfection of his recordings (Tenor chides modern electronic music for sounding lifelessly exacting), he spent 12 years studying piano, flute, and saxophone at a Finnish music institute. After dissolving the Shamens in the late '80s, Tenor moved to New York, where he worked as a tourist photographer at the Empire State Building. He finally hooked up with Sahko after receiving a copy of a solo recording by Mika Vainio (of Pan Sonic and Ø). Impressed with the label's openness to experimentalism (Sahko had previously been known as something of the muso's minimalist techno label), Tenor sent along some tapes and landed a recording contract, releasing his debut, Sahkomies, in 1994. While in New York he also recorded with Khan/4E's Can Oral (under the name Bizz O.D.), releasing the "Traffic" single on Ozon in 1995. Tenor returned to Finland in 1995 to film a documentary of Sahko (funded, oddly enough, by a government grant) and has remained there since, releasing Europa in 1996 and securing licensing and recording arrangements with Warp. The full-length Intervision was released in 1997, followed two years later by Organism. After the release of Out of Nowhere in 2000, Tenor and Sahko parted ways with Warp. His sixth full-length, Utopian Dream, an overtly solo-electronics record, still received import distribution. Tenor was performing with a large band for 2004's Beyond the Stars, distributed widely through Kitty-Yo, and 2007's Joystone (Ubiquity, again through Sahko).
Sean Cooper & John Bush, All Music Guide

Discography

  • Europa, 1995
  • Sähkömies, 1994
  • Intervision, 1997
  • Venera EP, 1998
  • Organism, 1999
  • Out Of Nowhere, 2000
  • Cosmic Relief EP, 2001
  • Utopian Dream, 2001
  • Higher Planes, 2003
  • Beyond The Stars, 2004
  • Sunrise, 2006
  • Deutsche Grammophon ReComposed by Jimi Tenor, 2006
  • Live in berlin, 2007
  • Joystone, 2007
  • 4th Dimension, 2009

Wednesday, March 4, 2009

Miranda Sex Garden

source : Fluxeuropa.com 2000
Miranda Sex Garden - one of the UK’s leading underground bands - returns after a five year absence and featuring a new line-up. Their new album Carnival of Souls marks the re-emergence of a band which they admit is made up of the "most inappropriate people ever to work together".

Carnival of Souls is the first album to appear on a new record label, SugarDaddy Records, which lead vocalist Katharine Blake has co-founded. It is also the first since the success of Katharine’s other project - the Mediaeval Baebes - for which she is musical director and whose first two albums have topped the classical charts.

The current incarnation of Miranda Sex Garden consists of founder member Katharine on lead vocals, Trevor Sharpe on drums, Ben Golomstock on weird guitar, Teresa Casella (TC also from the Baebes) on bass, Mike Servent on keyboards and Barney Hollington on violin. The new album features the haunting 'Tonight' on which the band is joined by Katharine’s father Robin on sax and brother Andrew on trumpet; a startling cover of the Duke Ellington jazz standard 'Caravan' and the instrumental 'Escape from Kilburn', a song depicting their exodus from the area towards the upmarket heights of Tufnell Park and Stoke Newington.

The band has come a long way since 1991 when the band consisted of Katharine, Jocelyn West and Kelly McCusker singing madrigals - a trio who had been discovered busking on the Portobello Road by Barry Adamson. Their first album Madra - featuring the single 'Gush Forth My Tears' - was recorded for Mute in just 2 days. Danny Rampling did the remix; Katharine hated it and is unable to listen to it to this day. This era saw Miranda singing madrigals to hostile Blur fans at London’s Astoria. The girls’ refusal to flinch despite the routine beer boy catcalls of "Get yer tits out" won them the respect of press and public alike. "We wouldn’t stop" remembered Kelly. "The tension was incredible. We enjoyed it".

The album Madra had the critics effusing greatly. "The tabernacle in which we sit is transformed by sheer dint of harmony and poise into another place, where the sky lies like a canopy of blue velvet and the brightest stars are MSG" gushed forth the Evening Standard.

Ben and Trevor joined the band for the mini-album Iris, which was followed by the single Play in January 1993. Kelly and Jocelyn departed and other fellow-travellers - notably Donna McKevitt and Hepzibah Sessa - came and later went. The album Suspiria - named after an Italian horror film by Dario Argento and featuring an ultimately weird version of David Lynch’s 'In Heaven (Everything is Fine)' (from Eraserhead) saw the band move away from their classical origins to produce an album which was described by Melody Maker as "like a mosaic or a stained glass window, it can seem thoroughly artificial and heart-stoppingly beautifaul at the same time". The band went on to play live shows with the likes of Nick Cave, Curve and the Balanescu Quartet and played on the soundtrack for Derek Jarman’s Blue.

The band went on their first tour supporting Spiritualized and then began playing at London’s S&M emporium The Torture Garden. Their erotic dabblings (Katharine says "we managed to corner the perv market for a while") also found a place at The Lunatic Fringe for which Katharine also supplied performance art and cabaret. The sessions involved mad all night parties with Miranda Sex Garden headlining eclectic performances from the likes of the late Leigh Bowery, Kula Shaker (known at the time as The Ks), and "a very drunk and very naked" Simon Fisher Turner.

1994 saw the release of Fairytales of Slavery, produced by Einsturzende Neubauten’s Alex Hacke and expressing their growing interest in all things fetishistic. The album was launched with a performance by the band in the window of Tower Records, Piccadilly Circus as bemused tourists strained to catch the significance of this representation of their single Peepshow. A support gig in Berlin turned into an extraordinary experience when 22,000 angry Depeche Mode fans threw everything they could find at the stage - blankets, gherkins and other rubbish. MSG responded musically to the challenge. "It felt like warfare" recalls Ben, "but it was great fun".

Miranda Sex Garden left Mute Records in 1995 and went their separate ways. Katharine continued her cabaret performances in London at the Waikiki Lounge with sets including "Diamonds are Forever" in which she performed in a spangley silver film star dress, then revealed her gold painted body for a naked rendition of 'Goldfinger'. She formed the Mediaeval Baebes on Mayday 1996. (Their third album Undrentide, produced by John Cale, comes out in April.)

Miranda Sex Garden came together again when Katharine met a mysterious male benefactor - the eponymous SugarDaddy - who had been enchanted by the music at a Mediaeval Baebes concert. She founded the company "SugarDaddy Records" with him in the spring of 1999. The album was recorded in a recording studio in the middle of a Norwich graveyard in August 1999. Recording began on Friday 13 August "for that special gothic flavour".

The album was recorded in twelve days during which time the band buried themselves in an orgy of drink, sleep, Nintendo 64 and candle-worship. A video - showing the band dancing around the graveyard worshipping the pagan god of "Red Bull" - was to become a piece of Miranda cult classicism until it mysteriously disappeared on the return journey home. Even today, it is said that the video still exists and could re-emerge at any moment.

But it was the naked photoshoot for the album artwork that risked tearing the band down the middle. A disused warehouse was hired for the evening and a lot of people turned up with the promise of free drink if they would peel for the cameras. The result is artistically a success (and can be seen on the album cover), but years of pent-up frustration erupted between Trevor and Ben who had a punch-up.

There are some encouraging signs though - the music itself, which the band consider to be the seminal Miranda Sex Garden album. The fact that live, few can touch them. The fact that TC plays the meanest bass around; the fact that Katharine’s vocal sends men (and not a few women) dissolving helpless to the ground.

Seeing Trevor Sharpe act like "Animal" from the Muppets on drums. Vibe-ing out to whatever it is Ben does on guitar. Freaking to Mikey’s kinky keyboard riffs. And watching Barney burn up the fiddle.

The audience’s hope that their gothic and erotic expectations will fuse in a night of fetishistic debauchery. So it is with unnatural and unwholesome pleasure that we celebrate the return of MIRANDA SEX GARDEN.


Discography

Madra (1991)
Iris (EP, 1992)
Suspiria (1993)
Fairytales of Slavery (1994)
Carnival of Souls (2000)


Monday, March 2, 2009

Dwarves

The Dwarves are an American punk band formed in Chicago, Illinois, as The Suburban Nightmare, in the late 1980s. They are currently based in San Francisco, California. Formed as a garage punk band, their career subsequently saw them move in a hardcore direction before settling into a punk rock sound.

History

The original members of the Dwarves began making music together in the mid-1980s as teenagers in the Chicago garage rock outfit, Suburban Nightmare. The group's original Paisley underground sound was evident on the band's 1986 Voxx Records debut Horror Stories, an album which, like many of its Paisley underground contemporaries, contained a number of mid-1960s Pebbles-inspired garage rock covers, including The Avengers' "Be a Cave man" and Shag's "Stop and Listen."[1]

The band's sound began to evolve beyond its early garage roots with their second LP, Toolin' For A Warm Teabag, which saw the band drifting towards a more truculent punk rock sound. The band released Blood Guts & Pussy on Sub Pop in 1989. By this time the Dwarves had dropped their early psychedelic sensibilities and morphed into a proper hardcore punk band. The Blood Guts & Pussy LP was followed up by EP Lucifer's Crank released by No.6 Records, as well as another Sub Pop LP, Thank Heaven For Little Girls, both in 1991.

In 1993 the band issued a press release stating that their guitarist HeWhoCannotBeNamed had been stabbed to death in Philadelphia. Though this later turned out to be a hoax, the band even went as far as to attach a tribute to the "late" guitarist on their 1993 Sub Pop-released album Sugarfix. Sub Pop did not respond well to the hoax and summarily dropped the band from its label. The Dwarves reformed in 1997, releasing The Dwarves Are Young and Good Looking and its 2000 followup The Dwarves Come Clean.[1] In 2004 the band released The Dwarves Must Die, its first LP for the indie label Sympathy for the Record Industry.

Band members

Singer Blag Dahlia (Paul Cafaro), and guitarist HeWhoCannotBeNamed have always been the two core members of the group. The lineup has shifted around them, and currently consists of members "Fresh Prince of Darkness" on guitar and returning drummer Gregory Pecker (aka Gnarlie Watts). "Rex Everything" and KMFDM drummer Andy Selway (under the alias Dutch Ovens) are on again/off again members. Former members include "Wholley Smokes", "Dutch Ovens", "Clint Torres", "Tazzie Bushweed", "Thrusty Otis", "Crash Landon", "Chip Fracture" "Wreck Tom ", and "Vadge Moore", among others.

Music style

They are known for their simple, loud, yet nuanced punk repertoire, and controversial lyrics. Since the hardcore punk sound of their early days, they have recently developed more of a pop punk influence. Their shows have been notable for some aggressive fights on stage (with the audience and even a cop), and because HeWhoCannotBeNamed performs either in nothing but a jockstrap or totally nude, apart from his trademark wrestling mask, and makes no attempt to hide behind his guitar.

Albums

Their album covers were unusual - naked women, and a naked dwarf sodomizing a rabbit covered in blood, for their 1990 album Blood Guts & Pussy - followed up a decade later, with a similar theme, this time covered in soap suds, for Come Clean. The band was sacked from their previous label, Sub Pop over pranks such as the long-lasting hoax contending that guitarist "HeWhoCannotBeNamed" had died. They have recorded on several labels and recently joined Sympathy for the Record Industry.They also have a track listed on the Punk you compilation album.

Discography

Wikipedia® 2009

Friday, February 27, 2009

Alabama 3

Alabama 3 was the oddest musical outfit to arise from late-'90s London. They were also the most original. The band's origins are shrouded in urban myth -- the band likes to claim that the 3 core members met in rehab, while their Southern accents have many believing they are from the U.S. state of Alabama, although it appears vocalists Rob Spragg and Jake Black met at a London rave when Spragg heard Black singing Hank Williams' "Lost Highway." Bonding, they set out about creating an agenda of Americana, electronica, leftist politics, and laughter. Joined by DJ Piers Marsh, the trio issued two 12" dance singles that combined their interest in gospel and country music, yet these went over the heads of the London dance scene. In Italy, where Spragg and Black began singing Howlin' Wolf songs over Marsh mixes, the idea of the band began to take shape and back in Brixton, South London, they recruited a crew of musicians to shape their vision. This, combined with brilliantly theatrical live shows, meant the band attracted a huge South London following long before they had a record deal.

Signed to One Little Indian, their 1997 debut, Exile on Coldharbour Lane, was a groundbreaking work that effortlessly fused gospel, country, blues, and house music. Dubbed "chemical country," Alabama 3 broke down the barriers between line dancers and ravers. The band's penchant for absurdity was displayed in Spragg and Black's insistence on singing, rapping, and preaching in deep Southern accents alongside samples of cult leader Jim Jones preaching Maoist philosophy and the renaming of all members -- Spragg became the Reverend Larry Love; Black became D. Wayne Love. Yet the songs were strong and imaginative and their observations on contemporary U.K. culture were spot-on: country and blues were used to look at the excesses of dance culture -- all with a pumping 808 beat behind them. The band was picked up on by U.K. roots DJs Charlie Gillet and Andy Kershaw, but the U.K. music press, at the height of its infatuation with Britpop, ignored the group or derided them as a novelty. Fortunately, U.S. audiences displayed a greater degree of irony, and cult TV series The Sopranos employed the band's "Woke Up This Morning" as its theme music. Unfortunately, country-lite vocal outfit Alabama sued over the group's name, which means in the U.S. Alabama 3 is now known as A3.Album number two, La Peste, followed in 2000 and found the band in more muted form. Again, the gospel-country-blues axis was there and the shows were wonderfully outrageous, but it appeared that two years of touring and a stronger awareness of the mounting casualties of rave culture and New Labor Britain had made the band wear a bleaker face. Where their debut cheekily nodded at the Stones' seminal double album, La Peste shared with it a bleak, murky sound that demanded the listener dig into the songs to discover their meaning. In 2007, with a continuing reluctance to conform, the band completed an equally dark and wonderfully uncompromising album titled M.O.R. Unfortunately, it's doubtful that A3 will shake loose their cult status anytime soon, considering that their constant mashing of opposing genres results in a tremendously original soundscape, and this makes it nearly impossible to classify the band or nail it down to a single specific genre. ~ Garth Cartwright, All Music Guide

Studio albums


ARTiST: Alabama 3
TiTLE: M.O.R
LABEL: One Little Indian
GENRE: Rock
TiME: 63:14 min
SiZE: 78,9 MB
BiTRATE: VBRkbps
RiP DATE: Sep-05-2007
RELEASE DATE: Sep-10-2007
WEBSiTE: n/a

Password: sharedmp3.net
Alabama 3 M.O.R. [2007]

Hear The Train A'Comin DivX
Their pre-christmas 2004 live performance at the London Astoria capturing the rapport between the band and an audience of over 2000 hard core disciples who flocked to witness singers Larry Love and the Reverend D Wayne Love preach their soulful but twisted gospel of 'sweet pretty country acid house music').
running time : 71 mins approx

1. Intro
2. Hello... I'm Johnny Cash
3. The Night We Nearly Got Busted
4. Bulletproof
5. R.E.H.A.B
6. Woody Guthrie
7. Up Above My Head
8. The Mansion On The Hill
9. Woke Me This Morning
10. Ain't Goin' To Goa
11. Mao Tse Tung Said
12. Have You Seen Richard Reynolds?
13. How Can I Protect You?
14. Speed Of The Sound Of Loneliness
15. The 12 Step Plan (Hypo Full Of Love)

pw = purgatory


Wednesday, February 25, 2009

Barry Adamson

(born in Moss Side, Manchester, 1 June 1958) is an English rock musician who has worked with rock bands such as Magazine, Visage, Nick Cave and the Bad Seeds, and the electronic musicians Pan sonic. He has also worked on film soundtracks for David Lynch, and released numerous solo recordings.

Early life
He read comic books from an early age. In school he absorbed himself in art, music and film, writing his first song, "Brain Pain", at the age of 10. His musical influences were diverse, ranging from Alice Cooper to Motown to David Bowie.

Career
Adamson left school and shifted into graphic design attending Stockport Art College but quit shortly after, favouring to venture into the exploding punk rock scene of the late 1970s. He joined ex-Buzzcocks singer Howard Devoto's band Magazine, playing bass guitar, scoring one chart single, "Shot by Both Sides"; in late 1977, he also joined Buzzcocks, as a short-time replacement of Garth Smith. He played on all of Magazine's albums, and contributed to Devoto's solo album and his next band, Luxuria. He also contributed to the studio-based band Visage, playing on the ensemble's first two albums, Visage and The Anvil.

After Magazine broke up, Adamson worked with another ex-Buzzcock, Pete Shelley, before joining Nick Cave and the Bad Seeds. He appeared on four of that band's albums: From Her to Eternity, The Firstborn Is Dead, Kicking Against the Pricks and Your Funeral, My Trial. After his stint in the band, he went solo, releasing an EP, The Man with the Golden Arm in 1988, and his first solo album, Moss Side Story, the following year, the soundtrack to a non-existent film noir. The album incorporated newscasts and sampled sound effects and featured guest musicians Marcia Schofield (of The Fall), Diamanda Galas, and former colleagues from the Bad Seeds. Adamson's second solo album, was the soundtrack to a real film this time - Carl Colpaert's Delusion, and he would go on to provide sountracks for several other films.

Adamson's third album, Soul Murder, was shortlisted for the Mercury Music Prize in 1992.

His solo work is influenced by John Barry, Elmer Bernstein and Ennio Morricone. Later works have included jazz, electronica, soul, funk, and dub styles.

In 2002, Adamson left his long-term label, Mute Records, and started his own 'production home', Central Control International. In 2006, he released Stranger on the Sofa, first for his Central Control International imprint, to critical acclaim. Back To The Cat, his second album for the label, was released in March 2008.

In 2007 it was announced that Magazine would reform for concerts in 2008. Adamson will be part of this and the same line up that recorded Secondhand Daylight will reform, with the exception of the late John McGeoch. McGeoch will be replaced by Luxuria/Apollo 440 member Noko.
Wikipedia® 2009


Albums
2008 Back To The Cat
2006 Stranger on the Sofa
2002 King of Nothing Hill
1999 The Murky World of Barry Adamson (compilation)
1998 As Above, So Below
1996 Oedipus Schmoedipus
1993 The Negro Inside Me
1992 Soul Murder
1989 Moss Side Story

Sunday, February 22, 2009

Pascal Comelade

Pascal Paul Vincent Comelade (born June 30, 1955), is a French Catalan musician.

Comelade born was in Montpellier, France. After living for several years in Barcelona, he made his first album, Fluences, influenced by electronic music and by the group Heldon.

Subsequently, his music has become more acoustic and is characterised by the sounds of toy instruments, used as solo-instruments and as an integral part of the sound of his group, the Bel Canto Orquestra. In 2007 he did a Take-Away Show acoustic video session shot by Vincent Moon. [Wikipedia®2009]


Each new album by Pascal Comelade is in itself a bit of an event. The man makes himself rare in France and is much more prolific in Catalonia, where he is considered to be an essential musician. In France, he is seldom mentioned in the media, and, in record shops, his music is often to be found in the film score section, with experimental music or even with world music. The last time he really got the attention of the critics was for his musical show Psicotic Music-Hall in 2002, a tribute to La Bodega Bohemia, a historical cabaret in Barcelona. Fortunately his new ‘Best Of’ album, ‘The No Dancing’ (Because Music) puts into perspective the importance of his works and demonstrates his many-sided musical vision, his multi-layered pocket symphonies, his bazaar of toy instruments and his playful ramblings, sometimes shared with big names in the world of the bizarre: P.J. Harvey (Love Too Soon) and Robert Wyatt (September Song) among others. A great way to brush-up on your Comelade culture. The 20 tracks on ‘The No Dancing’ were taken from the following Pascal Comelade albums: Danses et Chants de Syldavie - 1994 Musique pour Film - 1997 L’Argot Du Bruit - 1998 Psicotic Music’hall - 2002 Best Of (French version) - 2007 Metode de Rocanrol - 2007 [Israbox]

  • 1975 : Fluence
  • 1978 :
    • Séquences Paiennes
    • Vertical Pianos
  • 1980 :
    • Paralelo
    • Ready-Made
  • 1981 : Slow Music
  • 1982 :
    • Sentimientos
    • Irregular Organs
  • 1983 :
    • Fall Of Saigon
    • Logique du Sens
  • 1984 :
    • La Dialectique Peut-Elle Casser des Briques ?(with Cathy claret's voice).
    • Bel Canto Orquestra
    • Milano Enharmonisto
    • Précis de Décomposition Bruitiste
    • Scénes de Musique Ralentie
    • Détail Monochrome

un titre inclu dans le disque "cathy claret" delabel/virgin

  • 1986 : Bel Canto
  • 1987 : El Primitivismo
  • 1988 :
    • Impressionnismes
    • Rock Del Veneno
  • 1989 :
    • 33 Bars
    • Cent Regards
  • 1991 :
    • Ragazzin' The Blues
    • Pataphysical Polka
    • Haikus de Pianos
  • 1992 :
    • Traffic d'Abstraction
    • Topographie Anecdotique
    • El Ermitaño - with Bel Canto Orquestra
  • 1993 : Yo Quiero Un Tebeo
  • 1994 : Danses Et Chants de Syldavie
  • 1995 : El Cabaret Galactic
  • 1996 :
    • Musiques Pour Films Vol.2
    • Tango Del Rossello
    • Un samedi Sur la Terre - Soundtrack
  • 1997 :
  • 1998 :
    • L'Argot du Bruit
    • ZumZum.Ka
    • Bel Canto Orquestra In Concerto
  • 1999 :
    • Musiques De Genre
    • Live In Lisbon and Barcelona
    • Oblique Sessions II - with Richard Pinhas
    • Swing Slang Song
  • 2000 :
    • Aigua de Florida Classes de Música a la Granja - with Llorenç Balsach
    • André Le Magnifique - Soundtrack (followed by 3 pieces written for the ballet "Spring man" by Ryohei Kondo and 6 pieces written for the ballet "Zumzum-ka" by Cesc Gelabert.)
    • September Song - with Robert Wyatt
    • Pop Songs Del Rossello - with Gérard Jacquet
    • Pastis Catalan - Music for the Musée d'Art moderne de Céret (Limited Edition of 50 copies signed and numbered.)
  • 2001 :
  • 2002 :
    • Sense el Resso del Dring
    • Psicotic Music' Hall
  • 2003 :
    • Logicofobisme del Piano en Minuscul
    • Musica Pop (Danses de Catalunya Nord)
  • 2004 :
    • La Filosofia del Plat Combinat
    • Back to Schizo 1975-1983
  • 2005 : Espace Détente - Soundtrack
  • 2006
    • Espontex sinfonia
    • La Manera Més Salvatge - with Enric Casasses
    • Stranger In Paradigm
  • 2008
    • Compassió pel dimoni

Thursday, February 19, 2009

Nina Hagen

Nina Hagen (born Catharina Hagen on 11 March 1955) is a singer from East Berlin, Germany. Hagen's parents are Hans Hagen (also known as Hans Oliva), a scriptwriter, and Eva-Maria Hagen, an actress and singer. Her paternal Jewish grandparents died in Sachsenhausen concentration camp. Her parents divorced when she was two years old, and growing up she saw her father infrequently. At age four, she began to study ballet, and was considered an opera prodigy by the time she was nine.

When Hagen was 11, her mother married Wolf Biermann, an anti-establishment singer-songwriter. Biermann's political views influenced young Hagen: she was "dishonorably discharged" from the Free German Youthsocialist East German government. group at age 12, and became active in political protests against the socialist East German government.

Hagen left school at age 16, and joined the cover band Fritzens Dampferband (Fritz's Steamboat Band, together with Achim Mentzel and others). She added songs by Janis Joplin and Tina Turner to the "allowable" set lists during shows.

From 1972–3, Hagen enrolled in the crash-course performance program at The Central Studio for Light Music in East Berlin. Upon graduation, formed the band Automobil.

Music Career

1970s

In East Germany, she performed with the band Automobil, becoming one of the country's best-known young stars. Her most famous song from the early part of her career was "Du hast den Farbfilm vergessen" ("You forgot the colour film") in 1974. However, her musical career in East Germany was cut short when she and her mother left the country in 1976, following the expulsion of her stepfather.

The circumstances surrounding the family's emigration were exceptional: Biermann was granted permission to perform a televised concert in Cologne, but denied permission to re-cross the border to his home country. During a period when bureaucracy was the norm, and families divided by the Berlin Wall had not seen one another in decades, Hagen submitted an application to leave the country. In it, she claimed to be Biermann's biological daughter, and threatened to become the next Wolf Biermann if not allowed to rejoin her father. Just four days later her request was granted, and she settled in Hamburg, where she was signed to a CBS-affiliated record label. Her label advised her to acclimate herself to Western culture through travel, and she arrived in London during the height of the punk rock movement. Hagen was quickly taken up by a circle that included The Slits and the Sex Pistols; Johnny Rotten was a particular admirer.

Back in Germany by mid-1977, Hagen formed the Nina Hagen Band in West Berlin's Kreuzberg district. In 1978 they released their self-titled debut album, which included the single "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes, though with entirely different German lyrics), and Auf'm Bahnhof Zoo, about West Berlin's then-notorious Berlin Zoologischer Garten station. The album also included a version of "Rangehn" (approximately, "Go On"), a song she had previously recorded in East Germany, but with different music.

According to reviewer Fritz Rumler,

… she thrusts herself into the music, aggressively, directly, furiously, roars in the most beautiful opera alto, then, through shrieks and squeals, precipitates into luminous soprano heights, she parodies, satirises, and howls on stage like a dervish.

The album gained significant attention throughout Germany and abroad, both for its hard rock sound and for Hagen's theatrical vocals, far different from the straightforward singing of her East German recordings. However, relations between Hagen and the other band members deteriorated over the course of the subsequent European tour, and Hagen decided to leave the band in 1979, though she was still under contract to produce a second album. This LP, Unbehagen (which in German also means discomfort or unease), was eventually produced with the band recording their tracks in Berlin and Hagen recording the vocals in Los Angeles, California. It included the single "African Reggae" and a cover of Lene Lovich's "Lucky Number". The other band members sans Hagen, soon developed a successful independent musical career as Spliff.

Meanwhile, Hagen's public persona was steadily creating media uproar and she became infamous for an appearance on an Austrian talk show called Club 2, in which she described female masturbation techniques and became embroiled in a heated argument with another panelist.[1] She also acted with Dutch rocker Herman Brood and singer Lene Lovich in the 1979 film Cha Cha.

1980s

A European tour with a new band in 1980 was cancelled, and Hagen turned to the United States. A limited-edition 10-inch EP was released on vinyl that summer in the U.S. Two songs from her first album Nina Hagen Band were on the A side, and two songs from her second album Unbehagen were on the B-side. All four songs were sung in German.

In late 1980, Hagen discovered she was pregnant, broke up with the father-to-be Ferdinand Karmelk,[2] and moved to Los Angeles. Her daughter, Cosma Shiva Hagen, was born in Santa Monica on 17 May 1981. In 1982, Hagen released her first English-language album: NunSexMonkRock, a dissonant mix of punk, funk, reggae, and opera. She then went on a world tour with the No Problem Orchestra.

In 1983, she released the album Angstlos and a minor European tour. By this time, Hagen's public appearances were becoming stranger and frequently included discussions of God, UFOs, her social and political beliefs, animal rights and vivisection, and claims of alien sightings. The English version of Angstlos, Fearless,Zarah Leander (#45 USA) song "Ich weiss, es wird einmal ein Wunder geschehen") and the disco/punk/opera song, "New York New York" (#9 USA). From 1984 to 1985, she dated Anthony Kiedis, the lead singer of the Red Hot Chili Peppers.
Her 1985 album Nina Hagen In Ekstasy fared less well, but did generate club hits with "Universal Radio" (#39 USA) and a cover of "Spirit In The Sky" and also featured a 1979 recording of her hardcore punk take on Frank Sinatra's My Way, which had been one of her signature live tunes in previous years. Her contract with CBS over, she released the Punk Wedding EP independently in 1987, a celebration of her marriage to an 17-year-old-punk nicknamed 'Iroquois'. It followed an independent 1986 one-off single with Lene Lovich, the anthemic Don't Kill The Animals. In 1989, Hagen released the album Nina Hagen which was backed up by another German tour.

In 1989 she had a relationship with Frank Chevallier from France, with whom she has a son, Otis Chevallier-Hagen.

1990s

In the 1990s, Hagen lived in Paris with her daughter Cosma Shiva and son Otis. In 1991 she toured Europe in support of her new album Street. In 1992 Hagen became the host of a TV show on RTLplus. Also in the same year (1992) she collaborated with Adamski on the European smash and minor uk hit single "Get Your Body". The following year, she released Revolution Ballroom and two years later the German-language album Freud EuchBeehappy in 1996. Also in 1996, Hagen collaborated with electronic music artist Christopher Franke, along with Rick Jude on "Alchemy of Love", the theme song for the film Tenchi Muyo! in Love. In 1997 she collaborated with German hip hop musician Thomas D.
In 1998, Hagen became the host of a weekly science fiction show on the British Sci-Fi Channel, in addition to embarking on another tour of Germany. In 1999, she released the devotional album Om Namah Shivay, which was distributed exclusively online and included an unadulterated musical version of the Hare Krishna mantra (in real life she believes that the Hindu incarnation of God known as Krishna was 'the king of Jerusalem'. Krishna is sometimes referred to as "Christ"). She also provided vocals to "Witness" and "Bereit" on KMFDM's Adios.

Also in 1998 she recorded the official club anthem (Eisern Union !) for FC Union Berlin and four versions were issued on a CD single by G.I.B Music and Distribution GmbH.

In 1999, she played the role of Celia Peachum in The Threepenny Opera by Kurt Weill and Berthold Brecht, alongside Max Raabe.

2000s

In 2000, her song Schön ist die Welt became the official song of Expo 2000. Another cover of a Zarah Leander song "Der Wind hat mir ein Lied erzählt" was a minor hit the same year. The album The Return of the Mother was released in February 2001, accompanied by another German tour. In 2001 she collaborated with RosenstolzMarc Almond on the single Total eclipse/Die schwarze Witwe that reached #22 in Germany. and

Hagen dubbed the voice of Sally in the German release of Tim Burton's The Nightmare Before Christmas, and she has also done voice work on the movie Hot Dogs by Michael Schoemann. Hagen has been featured on songs by other bands, for instance on Oomph!'s song "Fieber". She did a cover of Rammstein's "Seemann" with Apocalyptica. Later albums include Big Band Explosion, in which she sang numerous swing covers with her then husband, Lucas Alexander. This was followed by Heiß, a greatest hits album. Her most recent album, Journey to The Snow Queen, is more of an audio book—she reads the Snow Queen fairy tale with Tchaikovsky's The Nutcracker in the background. In 2005 Nina Hagen headlined the Drop Dead Festival in New York City. Hagen has been an active protester against the war in Iraq. In 2006 she was a part of the Popstars team. She is a vegetarian.[3]

Discography

Year
1978 Nina Hagen Band
1979 Unbehagen
1982 Nunsexmonkrock
1983 Angstlos / Fearless (English version, release 1984)
1985 In Ekstase / In Ekstasy (English version)
1989 Nina Hagen
1991 Street
1993 Revolution Ballroom
1995 FreuD euch
1996 BeeHappy
1999 Die Dreigroschenoper
1999 Om Namah Shivay
2000 Return of the Mother
2003 Big Band Explosion
2006 Irgendwo auf der Welt

Wikipedia® 2009

Nina Hagen - In Exstase - 1985
PW: alchimist