Nina Hagen (born Catharina Hagen on 11 March 1955) is a singer from East Berlin, Germany. Hagen's parents are Hans Hagen (also known as Hans Oliva), a scriptwriter, and Eva-Maria Hagen, an actress and singer. Her paternal Jewish grandparents died in Sachsenhausen concentration camp. Her parents divorced when she was two years old, and growing up she saw her father infrequently. At age four, she began to study ballet, and was considered an opera prodigy by the time she was nine. When Hagen was 11, her mother married Wolf Biermann, an anti-establishment singer-songwriter. Biermann's political views influenced young Hagen: she was "dishonorably discharged" from the Free German Youthsocialist East German government. group at age 12, and became active in political protests against the socialist East German government.
Hagen left school at age 16, and joined the cover band Fritzens Dampferband (Fritz's Steamboat Band, together with Achim Mentzel and others). She added songs by Janis Joplin and Tina Turner to the "allowable" set lists during shows.
From 1972–3, Hagen enrolled in the crash-course performance program at The Central Studio for Light Music in East Berlin. Upon graduation, formed the band Automobil.
Music Career
1970s
In East Germany, she performed with the band Automobil, becoming one of the country's best-known young stars. Her most famous song from the early part of her career was "Du hast den Farbfilm vergessen" ("You forgot the colour film") in 1974. However, her musical career in East Germany was cut short when she and her mother left the country in 1976, following the expulsion of her stepfather.
The circumstances surrounding the family's emigration were exceptional: Biermann was granted permission to perform a televised concert in Cologne, but denied permission to re-cross the border to his home country. During a period when bureaucracy was the norm, and families divided by the Berlin Wall had not seen one another in decades, Hagen submitted an application to leave the country. In it, she claimed to be Biermann's biological daughter, and threatened to become the next Wolf Biermann if not allowed to rejoin her father. Just four days later her request was granted, and she settled in Hamburg, where she was signed to a CBS-affiliated record label. Her label advised her to acclimate herself to Western culture through travel, and she arrived in London during the height of the punk rock movement. Hagen was quickly taken up by a circle that included The Slits and the Sex Pistols; Johnny Rotten was a particular admirer.
Back in Germany by mid-1977, Hagen formed the Nina Hagen Band in West Berlin's Kreuzberg district. In 1978 they released their self-titled debut album, which included the single "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes, though with entirely different German lyrics), and Auf'm Bahnhof Zoo, about West Berlin's then-notorious Berlin Zoologischer Garten station. The album also included a version of "Rangehn" (approximately, "Go On"), a song she had previously recorded in East Germany, but with different music.
According to reviewer Fritz Rumler,
… she thrusts herself into the music, aggressively, directly, furiously, roars in the most beautiful opera alto, then, through shrieks and squeals, precipitates into luminous soprano heights, she parodies, satirises, and howls on stage like a dervish.
The album gained significant attention throughout Germany and abroad, both for its hard rock sound and for Hagen's theatrical vocals, far different from the straightforward singing of her East German recordings. However, relations between Hagen and the other band members deteriorated over the course of the subsequent European tour, and Hagen decided to leave the band in 1979, though she was still under contract to produce a second album. This LP, Unbehagen (which in German also means discomfort or unease), was eventually produced with the band recording their tracks in Berlin and Hagen recording the vocals in Los Angeles, California. It included the single "African Reggae" and a cover of Lene Lovich's "Lucky Number". The other band members sans Hagen, soon developed a successful independent musical career as Spliff.
Meanwhile, Hagen's public persona was steadily creating media uproar and she became infamous for an appearance on an Austrian talk show called Club 2, in which she described female masturbation techniques and became embroiled in a heated argument with another panelist.[1] She also acted with Dutch rocker Herman Brood and singer Lene Lovich in the 1979 film Cha Cha.
1980s
A European tour with a new band in 1980 was cancelled, and Hagen turned to the United States. A limited-edition 10-inch EP was released on vinyl that summer in the U.S. Two songs from her first album Nina Hagen Band were on the A side, and two songs from her second album Unbehagen were on the B-side. All four songs were sung in German.
In late 1980, Hagen discovered she was pregnant, broke up with the father-to-be Ferdinand Karmelk,[2] and moved to Los Angeles. Her daughter, Cosma Shiva Hagen, was born in Santa Monica on 17 May 1981. In 1982, Hagen released her first English-language album: NunSexMonkRock, a dissonant mix of punk, funk, reggae, and opera. She then went on a world tour with the No Problem Orchestra.
In 1983, she released the album Angstlos and a minor European tour. By this time, Hagen's public appearances were becoming stranger and frequently included discussions of God, UFOs, her social and political beliefs, animal rights and vivisection, and claims of alien sightings. The English version of Angstlos, Fearless,Zarah Leander (#45 USA) song "Ich weiss, es wird einmal ein Wunder geschehen") and the disco/punk/opera song, "New York New York" (#9 USA). From 1984 to 1985, she dated Anthony Kiedis, the lead singer of the Red Hot Chili Peppers.
Her 1985 album Nina Hagen In Ekstasy fared less well, but did generate club hits with "Universal Radio" (#39 USA) and a cover of "Spirit In The Sky" and also featured a 1979 recording of her hardcore punk take on Frank Sinatra's My Way, which had been one of her signature live tunes in previous years. Her contract with CBS over, she released the Punk Wedding EP independently in 1987, a celebration of her marriage to an 17-year-old-punk nicknamed 'Iroquois'. It followed an independent 1986 one-off single with Lene Lovich, the anthemic Don't Kill The Animals. In 1989, Hagen released the album Nina Hagen which was backed up by another German tour.
In 1989 she had a relationship with Frank Chevallier from France, with whom she has a son, Otis Chevallier-Hagen.
1990s
In the 1990s, Hagen lived in Paris with her daughter Cosma Shiva and son Otis. In 1991 she toured Europe in support of her new album Street. In 1992 Hagen became the host of a TV show on RTLplus. Also in the same year (1992) she collaborated with Adamski on the European smash and minor uk hit single "Get Your Body". The following year, she released Revolution Ballroom and two years later the German-language album Freud EuchBeehappy in 1996. Also in 1996, Hagen collaborated with electronic music artist Christopher Franke, along with Rick Jude on "Alchemy of Love", the theme song for the film Tenchi Muyo! in Love. In 1997 she collaborated with German hip hop musician Thomas D.
In 1998, Hagen became the host of a weekly science fiction show on the British Sci-Fi Channel, in addition to embarking on another tour of Germany. In 1999, she released the devotional album Om Namah Shivay, which was distributed exclusively online and included an unadulterated musical version of the Hare Krishna mantra (in real life she believes that the Hindu incarnation of God known as Krishna was 'the king of Jerusalem'. Krishna is sometimes referred to as "Christ"). She also provided vocals to "Witness" and "Bereit" on KMFDM's Adios.
Also in 1998 she recorded the official club anthem (Eisern Union !) for FC Union Berlin and four versions were issued on a CD single by G.I.B Music and Distribution GmbH.
In 1999, she played the role of Celia Peachum in The Threepenny Opera by Kurt Weill and Berthold Brecht, alongside Max Raabe.
2000s
In 2000, her song Schön ist die Welt became the official song of Expo 2000. Another cover of a Zarah Leander song "Der Wind hat mir ein Lied erzählt" was a minor hit the same year. The album The Return of the Mother was released in February 2001, accompanied by another German tour. In 2001 she collaborated with RosenstolzMarc Almond on the single Total eclipse/Die schwarze Witwe that reached #22 in Germany. and
Hagen dubbed the voice of Sally in the German release of Tim Burton's The Nightmare Before Christmas, and she has also done voice work on the movie Hot Dogs by Michael Schoemann. Hagen has been featured on songs by other bands, for instance on Oomph!'s song "Fieber". She did a cover of Rammstein's "Seemann" with Apocalyptica. Later albums include Big Band Explosion, in which she sang numerous swing covers with her then husband, Lucas Alexander. This was followed by Heiß, a greatest hits album. Her most recent album, Journey to The Snow Queen, is more of an audio book—she reads the Snow Queen fairy tale with Tchaikovsky's The Nutcracker in the background. In 2005 Nina Hagen headlined the Drop Dead Festival in New York City. Hagen has been an active protester against the war in Iraq. In 2006 she was a part of the Popstars team. She is a vegetarian.[3]
Discography
Wikipedia® 2009
Nina Hagen - In Exstase - 1985
PW: alchimist
Alabama 3 was the oddest musical outfit to arise from late-'90s London. They were also the most original. The band's origins are shrouded in urban myth -- the band likes to claim that the 3 core members met in rehab, while their Southern accents have many believing they are from the U.S. state of Alabama, although it appears vocalists Rob Spragg and Jake Black met at a London rave when Spragg heard Black singing Hank Williams' "Lost Highway." Bonding, they set out about creating an agenda of Americana, electronica, leftist politics, and laughter. Joined by DJ Piers Marsh, the trio issued two 12" dance singles that combined their interest in gospel and country music, yet these went over the heads of the London dance scene. In Italy, where Spragg and Black began singing Howlin' Wolf songs over Marsh mixes, the idea of the band began to take shape and back in Brixton, South London, they recruited a crew of musicians to shape their vision. This, combined with brilliantly theatrical live shows, meant the band attracted a huge South London following long before they had a record deal.
Album number two, La Peste, followed in 2000 and found the band in more muted form. Again, the gospel-country-blues axis was there and the shows were wonderfully outrageous, but it appeared that two years of touring and a stronger awareness of the mounting casualties of rave culture and New Labor Britain had made the band wear a bleaker face. Where their debut cheekily nodded at the Stones' seminal double album, La Peste shared with it a bleak, murky sound that demanded the listener dig into the songs to discover their meaning.
In 2007, with a continuing reluctance to conform, the band completed an equally dark and wonderfully uncompromising album titled M.O.R. Unfortunately, it's doubtful that A3 will shake loose their cult status anytime soon, considering that their constant mashing of opposing genres results in a tremendously original soundscape, and this makes it nearly impossible to classify the band or nail it down to a single specific genre. ~ Garth Cartwright, All Music Guide
