Signed to One Little Indian, their 1997 debut, Exile on Coldharbour Lane, was a groundbreaking work that effortlessly fused gospel, country, blues, and house music. Dubbed "chemical country," Alabama 3 broke down the barriers between line dancers and ravers. The band's penchant for absurdity was displayed in Spragg and Black's insistence on singing, rapping, and preaching in deep Southern accents alongside samples of cult leader Jim Jones preaching Maoist philosophy and the renaming of all members -- Spragg became the Reverend Larry Love; Black became D. Wayne Love. Yet the songs were strong and imaginative and their observations on contemporary U.K. culture were spot-on: country and blues were used to look at the excesses of dance culture -- all with a pumping 808 beat behind them. The band was picked up on by U.K. roots DJs Charlie Gillet and Andy Kershaw, but the U.K. music press, at the height of its infatuation with Britpop, ignored the group or derided them as a novelty. Fortunately, U.S. audiences displayed a greater degree of irony, and cult TV series The Sopranos employed the band's "Woke Up This Morning" as its theme music. Unfortunately, country-lite vocal outfit Alabama sued over the group's name, which means in the U.S. Alabama 3 is now known as A3.Album number two, La Peste, followed in 2000 and found the band in more muted form. Again, the gospel-country-blues axis was there and the shows were wonderfully outrageous, but it appeared that two years of touring and a stronger awareness of the mounting casualties of rave culture and New Labor Britain had made the band wear a bleaker face. Where their debut cheekily nodded at the Stones' seminal double album, La Peste shared with it a bleak, murky sound that demanded the listener dig into the songs to discover their meaning. In 2007, with a continuing reluctance to conform, the band completed an equally dark and wonderfully uncompromising album titled M.O.R. Unfortunately, it's doubtful that A3 will shake loose their cult status anytime soon, considering that their constant mashing of opposing genres results in a tremendously original soundscape, and this makes it nearly impossible to classify the band or nail it down to a single specific genre. ~ Garth Cartwright, All Music Guide
Studio albums
- Exile on Coldharbour Lane (1997) UK #153
- La Peste (2000) UK #80
- Power In The Blood (2002) UK #88
- The Last Train To Mashville vol. 2 (2003)
- Outlaw (2005) UK #83
- M.O.R. (September 10, 2007)[5] UK Indie #7
- Hits and Exit Wounds (April 21, 2008) [6]
ARTiST: Alabama 3
TiTLE: M.O.R
LABEL: One Little Indian
GENRE: Rock
TiME: 63:14 min
SiZE: 78,9 MB
BiTRATE: VBRkbps
RiP DATE: Sep-05-2007
RELEASE DATE: Sep-10-2007
WEBSiTE: n/a
Password: sharedmp3.net
1. Intro
2. Hello... I'm Johnny Cash
3. The Night We Nearly Got Busted
4. Bulletproof
5. R.E.H.A.B
6. Woody Guthrie
7. Up Above My Head
8. The Mansion On The Hill
9. Woke Me This Morning
10. Ain't Goin' To Goa
11. Mao Tse Tung Said
12. Have You Seen Richard Reynolds?
13. How Can I Protect You?
14. Speed Of The Sound Of Loneliness
15. The 12 Step Plan (Hypo Full Of Love)
pw = purgatory
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